Theorizing Biometrics, Identification and Digital Payment

Logo 4S Toronto 2026: Technopower

In 2001, Phil Agre famously argued that “Your Face Is Not a Barcode.” Yet, biometric identification and digital payment have seemingly become co-constitutive since then. After their integration into payment infrastructures, fingerprinting, face recognition, and iris scans have been adopted unevenly. Nevertheless, they already play a significant role in the everyday usage of digital monies around the world. Consequently, mobile media devices have become key mediators of what is termed a “repersonalization of money.” Smartphones and smartwatches now serve both as ‘contactless’ payment gadgets and mobile media, integrating former infrastructures such as payment cards (Giessmann 2026) and the mobile phones’ humble SIM cards into appified wallets.

In my 4S contribution, I aim to theorize the contemporary relationship between biometrics and 21st century digital payment technologies in a historically grounded way. In networked accounting, every non-cash payment transaction depends on a threefold relation of identification between accounts, bodies and personhood. But what has driven, and continues to drive this identificatory imperative to fuse an account, a body, and a person? How does this methodological individualism of ‘capturing the economic subject’ relate to a political economy of identification? “[W]e mobilize empirical materials so as to make a set of theoretical points,” wrote Marianne de Laet and Annemarie Mol (2000: 255). In my talk, I will follow their methodological advice, and draw on Western- und non-Western examples symmetrically.

  • Agre, Philip E. (2001). “Your Face Is Not A Bar Code: Arguments Against Automatic Face Recognition In Public Places”, Whole Earth 106, (Winter 2001), 74-77.
  • de Laet, Marianne, and Annemarie Mol (2000). “The Zimbabwe Bush Pump: Mechanics of a Fluid Technology.” Social Studies of Science 30, no. 2, 225-63.
  • Giessmann, Sebastian (2026). Das Kreditkarten-Buch: Geschichte und Theorie des digitalen Bezahlens. Berlin: Kadmos.

Histories of Tracking

 

Histories of Tracking Conference
Université de Luxembourg | Universität Siegen
September 30 – October 2, 2026
Location: Black Box, MSH, Belval Campus, Esch-sur-Alzette, Luxembourg
https://www.uni.lu/c2dh-en/events/histories-of-tracking

Surveillance has become ubiquitous in digital media environments and is now taken for granted. With every PayPal interaction, at the least more than 600 trackers eavesdrop on its transactional data (Schneier 2018). While there is no lack of critique on digital surveillance and its discontents, its ubiquity and naturalization itself require more explanation. Which historical and economical trajectories have led into the current escalation of digital tracking, tracing, monitoring, classification, intelligence service, and advertising? How can we discover and mobilize counterpoints and narratives that explain digital surveillance otherwise? Do micro-level media, data, and sensor practices represent “yet another mutation of capitalism,” to quote from Gilles Deleuze’s famous Postscript on the Societies of Control (1990)?

Tracking persons, emotions, objects, apparatuses, money, signs and data is a veritable environing technique. It is also one of the key business applications of platform and data economies, which provide for the infrastructures of state-side institutional surveillance and control. With our joint Luxembourg-Siegen conference on Histories of Tracking we aim to track the trackers historiographically, technologically, and ecologically.

In a seminal text, Phil Agre (2003 [1994]) has encouraged us to think about the difference between rather centralized regimes of (visual) surveillance and data-based institutional regimes of “capture.” Agre has paved the way for a logistical theory of digital surveillance that investigates its micropolitics. While non-visual alphanumeric modes of capturing data do not feel like surveillance, they nonetheless establish an ever more mundane and affective mode of ubiquitous surveillance. What if we follow Agre’s analysis of institutional “grammars of action” that afford a whole spectrum of capturing, monitoring, sensing, and surveillant practices? Histories of tracking, we assume, are histories of the institutions, corporations, and agencies that create the tapestry of surveillance (Lauer 2017). That tapestry might seem all-encompassing and seamless by now, even if it contains loose threads, loopholes, and islands of encryption.

Histories of tracking are co-operative histories that involve the consent, non-consent and dissent of digital media usage (Jones 2024). They are also business histories that rely on what Shoshana Zuboff (2019) has aptly called a “behavioral surplus” of data. Last but not least, histories of tracking are histories of its public scrutiny and accountability, from opposing civil rights movements to the political and legal controversies that make the case for regulation.

We thus invited dedicated contributions from Media and Cultural Studies, History, Science and Technology Studies, Surveillance Studies, Platform Studies, Code Studies, Socio-Informatics, Law, and Sociology that combine historiographic and empirical work with grounded theoretical approaches.

„Histories of Tracking“ weiterlesen

The Digital Euro Showdown: Can MoneyLab Do Politics?

Central Bank Digital Currencies (CBDCs) might as well have been our new media of monetary cooperation. And they still can be, at the least in the case of the Digital Euro. Since 2023, I have repeatedly advocated for real digital cash, financial inclusion and new public payment infrastructure for all of Europe. While we, finally, expect a political decision by the European Parliament in July, the D€ is facing competition from WERO, a pan-European PayPal competitor. Geopolitical claims for monetary sovereignty mix with twisted hopes for digital sovereignty and independence. So what can MoneyLab do next? The Austrians of Ja, Panik might have known it early on: Dance the ECB, swing die Staatsfinanzen … sing ihnen ihre Melodien, zwing sie zum Tanzen.

This is my contribution to the Institute of Network Cutures exit fest. It is part of a joint session on Politics of Digital Sovereignty with Gianmarco Christofari, Annalisa Pelizza, Sebastian Giessmann and Klara Debeljak. Geert Lovinks hosts this on June 25, Amsterdam, 13pm at OT301.

Poster INC exit fest, Amsterdam, June 24-26, 2026

Anthropic Studies: Medienkulturen unter den Bedingungen künstlicher Intelligenz

Einführungsvorlesung an der Philosophischen Fakultät der Universität zu Köln

Die Einführungsvorlesung schlägt mittels Anthropic Studies eine situierte Auseinandersetzung mit der aktuellen, neo-konnektistischen künstlichen Intelligenz vor. Sie wählt hierfür eine symmetrische Perspektive, die sowohl medien- und kulturwissenschaftlich wie im Sinne der Science and Technology Studies vorgeht. Als theoretischer Fixpunkt kommen hierbei die Arbeiten von Susan Leigh Star und Phil Agre ins Spiel. Ist „KI“ nicht das vieldeutigste Grenzobjekt, das die Informatik je hervorgebracht hat? Wenn wir in der aktuellen Superkontroverse um KI und ihre planetarischen Folgen bestehen wollen, müssen wir die Technologie zunächst in ihren institutionellen Ökologien und Grammatiken des Handels lokalisieren. Es tritt auf die Szene: Claude, der Chatbot von Anthropic. Das Prompt des Vortrags lautet: „Erzähl uns ein wenig über Deine Verfassung, Claude.“

10. Juni 2026, 16 Uhr s.t.
Universität zu Köln
Philosophische Fakultät
Seminargebäude (106), 1. Etage, Raum S11
Universitätsstr. 37, 50931 Köln

KVB-Haltestelle: Universität
Open Street Map: https://www.openstreetmap.org/way/128504202#map=19/50.926836/6.927502
Google Maps: https://maps.app.goo.gl/qdTXs5S8APUekLGLA Logo der KI Claude

Anthropic Studies, or What Does Artificial Intelligence Even Mediate?

Poster conference Towards a Media Technoscientific Study?: STS and Media Theory as Intersecting Lines, Basel, May 7 2026

 

Karen Hao’s excellent investigative book, Empire of AI, published in 2025, reads at times like an account that Bruno Latour could have written himself. However, Hao’s intention was not to write a contemporary account of the Laboratory Life of artificial intelligence and its uneasy industrialisation by Big Tech. At times, her book invites us to imagine how it could be presented as a critical study of science, technology, AI and religion. So how would Latour have described the inner workings and drama of OpenAI and its rival Anthropic, divided as they are between the “boomers” and the “doomers”? What are the ‘infrastructures of instruments of inscription’ in current generative AI technologies, and how does their mediation unfold in which communities of practice? Current engaged empirical scholarship on AI is plentiful in Science and Technology Studies, while theorizing does not seem to be a core STS concern any longer. Media and Cultural Studies, on the other hand, are key to praxeological and ecological approaches that challenge the current naturalisation of large language models and agentic AI.

In my talk, I propose “Anthropic Studies” as a situated contestation of neo-connectionist artificial intelligence from the––symmetrical––perspective of both Media Studies and STS. As none of us will have the same access to the field as Karen Hao did with OpenAI, we might need to start from scratch theoretically and empirically. Therefore, I return to classic STS and the work of Susan Leigh Star and Phil Agre on symbolic AI. Is ‘AI’ not the most ambiguous boundary object ever created by computer science? If we are to come to terms with the current super-controversy surrounding AI and its planetary discontents, we must first resituate technology within its institutional ecologies and grammars of action. Enter: Anthropic’s Claude (not Shannon). Prompt: “Tell me a little bit about your constitution, Claude.”

This is my May 7 contribution to the Symposium Towards a Media Technoscientific Study?: STS and Media Theory as Intersecting Lines at Basel University’s contralab.

Digitale Unabhängigkeit und monetäre Souveränität jetzt! Wie wollen wir in Europa bezahlen?

Keyvisual  re:publica26  Never  Gonna  Give  You  Up

Digital unabhängig, monetär souverän und technisch auf dem allerneuesten Stand: Europa braucht neue kooperative Infrastrukturen des Geldes. Wir diskutieren mit Euch, was wir als Zivilgesellschaft anhand der aktuellen politischen Bedingungen tun und fordern müssen.

Nach dem Angriffskrieg auf die Ukraine zeigt es das offen hegemoniale Vorgehen der US-Regierung: Die aktuellen geopolitischen und ökonomischen Entwicklungen erfordern die europäische Unabhängigkeit digitaler Zahlungsinfrastrukturen. Ob Europa den digitalen Euro will, ist nicht mehr die einzige Frage. Sondern: Wie kann überhaupt das Halten und Bewegen von Geld hinreichend autonom, sicher und bürgernah ausgestaltet werden? Löst der digitale Euro – für den inzwischen erste Industrieaufträge vergeben wurden – das Problem fehlender monetärer Souveränität?

Die Philosophin Petra Gehring und der Medientheoretiker Sebastian Gießmann treten seit Jahren für eine bürgernahe Ausgestaltung digitaler Zentralbankwährungen ein. Nun lenken sie den Blick auf die Unabhängigkeitsfrage und diskutieren mit Euch, wie Forderungen an den digitalen Umbau der Finanzwelt real werden – angesichts der geopolitischen Lage Stand heute.

20. Mai 2026
STATION Berlin
Stage 6
11:45-12:15 Uhr

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Infrastructures and/as Environments: Practices and Ecologies of Circulation

Circulation is what is turning infrastructures into lived ecologies.

I am still wondering how to grapple with the relation of infrastructures and environments in media theory. Praxeology and media ecology do not convergence easily––even if media practices are infrastructural and environmentally situated at the same time. Here’s a first take on the subject, a Berlin keynote lecture that has now become an elegantly edited microform podcast. My gratitude goes to the members of the DFG research training group “Literatur- und Wissensgeschichte kleiner Formen” at Humboldt-Universität zu Berlin, and especially Johann Gartlinger and Marie van Bömmel for the smooth editing and moderation.

“Infrastructures and/as Environments: Practices and Ecologies of Circulation”. Lecture by Sebastian Gießmann, in: microform. Der Podcast des Graduiertenkollegs Literatur- und Wissensgeschichte kleiner Formen, available at: www.kleine-formen.de/infrastructures-and-as-environments, Berlin 2026 [March 26, 2026].

Frankfurter Buchmesse 2025

Am 17. Oktober lese ich um 13 Uhr auf der Frankfurter Buchmesse aus meinem kommenden Kreditkarten-Buch. Moderiert von Wolfram Burckhardt, dem Leiter des famosen Kulturverlags Kadmos. Mit großem Dank an die Kurt-Wolff-Stiftung für ihre LESEINSEL der unabhängigen Verlage. Support your independent book publishers and sellers! Wer nicht vor Ort sein konnte, kann gerne die Aufzeichnung auf YouTube anschauen.

Hier klicken, um den Inhalt von www.youtube-nocookie.com anzuzeigen.

On The Connectivity of Things: Network Cultures since 1832

What is the truth about the network? And what might it tell us in our current situation? After five years of translation and fine-grained updating, Sebastian Giessmann’s seminal book on The Connectivity of Things: Network Cultures since 1832 finally came out in October 2024 with MIT Press. The full text is available in open access.

While the translated book’s historical narrative is deeply rooted in developments of 19th and 20th century infrastructural history, it is also a key work of German media theory. There’s much to discuss here for historians of technology, be it the notion of “cultural techniques,” the seemingly Western grounding of network practice and thought, and the in/visible work of networking in material cultures itself.

Connectivity is a book full of in-depth case studies that deserve a closer look, be it the relation between networks and colonial power in the case of French Saint-Simonianism, be it the early history of the telephone network, visual histories of network diagrams, the mobilities of the London Tube Map, Western and Eastern styles of logistics, and the unlikely inception of the ARPANET. It might be said that networks are a core cultural technique to allow for the migration of people, signs, and objects, which includes their disconnection. Connectivity of Things finally gives us a history that actor-network theory never dared to write itself.

We invite everyone at SHOT in Luxembourg to join the discussion, both in person and per hybrid participation. Our author-meets-critics session will combine key critical questions towards the book, and shall provide insights into the intricacies of such an (un-)timely and complex translation endeavor.

On The Connectivity of Things: Network Cultures since 1832
Author-meets-critics: Sebastian Giessmann (Siegen), Monika Dommann (Zurich), Cyrus Mody (Maastricht), Elizabeth Petrick (Rice), and Thomas Haigh (Wisconsin-Milwaukee)

Society for History of Technology Annual Meeting 2025
„Technologies of Migration – Migrating Technologies“
Esch-sur-Alzette, Luxembourg
Friday, October 10
12:55 PM – 2:10 PM

Kenneth Gordon McLaren and Eric Leonard Buesnel, Sketch and final drawing of a project network for the market launch of a product. Drawing, 1968–1969.
Kenneth Gordon McLaren and Eric Leonard Buesnel, Sketch and final drawing of a project network for the market launch of a product. Drawing, 1968–1969.